Revisiting a Drawing/Installation
01 Sunday Aug 2021
Posted in Uncategorized
Previous articles
Transmission: On Collaboration, Response, and the ‘Amica-critical’
In my short text ‘Emma bolland | Hestia Peppe’, published in Salon for a Speculative Future, (eds Monika Oeschler with …
Words, Take Wing: Vahni Capildeo’s ‘Odyssey Calling’
The Trinidadian calypso singer Lord Kitchener was among the first 5,000 West Indians to be encouraged to migrate to …
An Archive: Work Once Was
A selection from 17 years of visual work, in no particular order… (so much work lost, destroyed, undocumented—no paintings from …
Over, In, and Under—a new publication.
I am very pleased to announce that my new book, Over, In, and Under, has just been published by Dostoyevsky Wannabe. …
Interrupteur Residency
I am pleased to announce that I am the 2019 #interrupteur artist-writer in residence for the University of Sheffield’s School …
SILVERY, SILVERY…
Commissioned by Gill Crawshaw for her curatorial project exploring experimental approaches to audio descriptions for blind and visually impaired audiences. You …
An Invitation, a Reply, and a Reflection: The Essay
An Invitation Earlier this year, I was honoured to be asked to talk, read, deliver a writing workshop, and screen …
An ERRANT, or Improper Form
An ERRANT, or Improper Form: Emma Bolland and Rachel Smith, live ‘fansubbing’ performance. University of Sheffield, Jessop West Foyer Tuesday …
Thin Skins, Good Hidings, and the Flaying of Marsyas
I was reminded, yesterday, of Titian’s The Flaying of Marsyas (c.1570–76) painted when in his eighties, and approaching the end …
Emma Bolland 