Publications / Papers / Texts

Recent and Forthcoming Publications

‘These hybrid-texts have carried me into some of the chasms of hilarity and terror over which the cultural artefacts they address are precariously suspended.’ Joanna Walsh, author of Hotel and Break.up. ‘I find the transformation that takes place. and the tenor of the resulting text, remarkable.’ Peter Riley, in The Fortnightly Review.
Over, In, and Under moves between fiction, prose-poem, script, and essay. Freud is psychotically mistranslated; Lacan is refigured as an auto-fictional and hallucinatory framing of ‘city’; screenwriting is brought to bear on silence; and the forgetting of Mary Shelley’s Frankenstein prompts the consideration of the monstrous self.

Over In and Under - Full COver
Emma Bolland, Over, In, and Under, Manchester: Dostoyevsky Wannabe, 2019


  • Instructions from Light, London: JOAN Publishing, spring/summer 2022

Current / Recent:

  • ‘Am / Thought / Always’, in ​Best British Short Stories 2021​, ed. ​Nicholas Royle, Cromer: Salt Publishing, 2021​
  • ‘The Work as Will (will to begin)’, co-authored with Julia Calver, Helen Clarke, Louise Finney, Susannah Gent, Sharon Kivland, Debbie Michaels, Hestia Peppé, and Rachel Smith, in Barthes Studies, Volume 7, 2021
  • Untitled fragments in Writing Tests, ed. Jeanine Griffin, Sheffield: Site Gallery and Sheffield Hallam University, 2021
  • ‘Excerpts from Instructions from Light’, in Blackbox Manifold, Summer 2021
  • ‘PSYCHOSIS HAIKU HYPERTROPHY, or; Violets in the Time of Virus’, in To Set a Bell Ringing, London: MA BIBLIOTHÈQUE, 2021. Kate Briggs writes: ‘Ah this book! Here, at last, I feel like I have found my people…[…] To my ear, each one strikes newly at the lecture course; together, they make the whole thing resound.’
  • ‘spectrum Faust’, in Virtual Oasis, Lancaster: Trickhouse Press, 2021
  • ‘Subjects of the Gaze: script development as performance’, co-authored with Louise Sawtell, in Script Development: Critical Approaches, Creative Practices, International Perspectives, eds Craig Batty and Stacy Taylor, Palgrave Macmillan, 2021
  • ‘A Rhubarb Cake, and Boozy’, in Recipes under Confinement, ed. Sharon Kivland, MA BIBLIOTHÈQUE, 2021
  • ‘The Fiction of the Essay: Of Abstraction, Texts, Communication, and Loss’, co-authored with Elizabeth Chakrabarty, in Imagined Spaces, eds. Gail Low and Kirsty Young, Dundee: Voyages Out, 2020
  • ‘Am / Thought / Always’, in Zahir: Desire and Eclipse, ed. Christian Patracchini, London: Zeno Press, 2020
  • ‘Work as Will’, co-authored with Julia Calver, Helen Clarke, Louise Finney, Susannah Gent, Sharon Kivland, Debbie Michaels, Hestia Peppé, and Rachel Smith, in Inscriptions: the Journal of Material Text, eds Gill Partington, Adam Smyth, Simon Morris, York: information as material, 2020
  • ‘A Conversation with Hestia Peppé’, in A Salon for a Speculative Future, eds. Sharon and Monika Oechsler, MA BIBLIOTHÈQUE, 2020
  • ‘Words Take Wing: an encounter with Vahni Capildeo’s Odyssey Calling‘, in The Brixton Review of Books, Issue 10, Summer 2020
  • ‘The Golden Peacock: an Incident of Fiction’, in Roland Barthes’s Party, ed. Sharon Kivland, London: MA BIBLIOTHÈQUE, 2020
  • ‘Between Clean Sheets: Twenga #8’, co-authored with Paul Conneally, Tina Francis, Patrick Goodall, Brenda Hickin, James Kennedy, Matthew Parkin, Alison Raybould, Sid Sidowski, Yvette Greslé, Cathy Wade, and Gavin Wade, in Journal of Writing in Creative Practice, Volume 13, Number 1, pp. 27–46, 2020
  • ‘Where Memory Is’, in Lune Journal 3: the Display Issue, 2019 
  • ‘Extract’, in The Kink in the Arc, ed. Paul Becker, 2019 and ongoing,
  • ‘Or in the Way We Write in a Dream #2’, in Meaningfulosity, ed. Lesley Anne Selcer, San Francisco, CA: Wolfman Books, 2019
  • ‘Ever Fallen in Love?’, in Love Bites, eds. Andrew Gallix, Tomoé Hill, and C.D.Rose, Manchester: Dostoevsky Wannabe, 2019
  • ‘Writing Imaginary Footnotes’, in Soanyway, eds. Gertrude Gibbons and Derek Horton, Volume 2, Issue 2, January 2019 (unpaginated).
  • Sheffield, (ed.), Manchester: Dostoevsky Wannabe, 2019
  • ‘White’, in Terra Cotta (ed. Emily Speed), 2019
  • Over, in, and Under, Manchester: Dostoevsky Wannabe, 2019
  • BananaramaArt Writing, with Louise Finney and Rachel Smith, Sheffield: Gordian Projects, 2019
  • Sh! Flight!, co-authored with Helen Clarke, Sheffield: Gordian Projects, 2018
  • ‘The Iris Opens / The Iris Closes: Le Silence #2 Scenes 1–13’, in the Journal of Adaptation in Film & Performance, Volume 11, Issue 2, pp. 203–16, 2018
  • Adventures in Ekphrasis, in Corridor8, 2018
  • The Desire for Haiku: reading Roland Barthes The Preparation of the Novel, with Helen Clarke, Louise Finney, Sharon Kivland, Debbie Michaels, Bernadette O’Toole, and Rachel Smith, London: Ma Bibliothêque, 2018
  • Or in the Way we Write in a Dream. Do you see? In Corridor8, 2018,
  • ‘Manus’, in On Violence, ed. Rebecca Jagoe and Sharon Kivland, London: Ma Bibliothêque, 2018
  • Violet, in The Dreamers, ed. Sharon Kivland, London: Ma Bibliotêque, 2017
  • MilkyWayYouWillHearMeCall: Becoming, with Judit Bodor and Tom Rodgers, Sheffield: Gordian Projects, 2017
  • Over, In, and Under (paragraphs 9 and 10), in Existentialism (CD / book), ed. The Mekons, Portland, OR: Sin Publications with Verse Chorus Press, 2016
  • Flashback, and the Treatment of the Dream, in testing Testing (dialogue), ed. Michael Day and Jo Ray, Sheffield: Sheffield Hallam University, 2016
  • Thoughts on Interiors, in Testing Testing (prologue), ed. Michael Day and Jo Ray, Sheffield: Sheffield Hallam University, 2016
  • Instructions From Light, in The Editions III, ed. Sharon Kivland, London: Ma Bibliotêque, 2016
  • Category Error / Category Terror, in The Blue Notebook: University of the West of England Journal for Artists’ Books, ed. Sarah Bodman, Volume 11, Issue 1, 2016
  • Over in and Under, after Über Dekkerinnerungen (with accompanying sound work), in 3am Magazine,,  2015
  • I am the Serpent Invaginate, in Cobra Res 1.9: Flash Fiction, ed. Theo Price, London: Cobra Press, 2015
  • Lectolalia, Sheffield: Gordian Projects, 2015
  • Dog Star: dreaming transmissions from a Cosmonaut Bitch, in Micromegas Vagabond Flux, eds. Tracy Mackenna and Edwin Jannsen, Dundee: The University of Dundee, 2015
  • Every Place a Palimpsest: Creative Practice, Emotional Archaeology, and the Post Traumatic Landscape, in the Association of American Geographers journal GeoHumanities: Space, Place, and the Humanities, ed. Tim Creswell and Deborah Dixon, Volume 1, Issue 1, 2015
  • What is a Book if it will not be a Book?, in Impact8: Borders and Crossings: The Artist as Explorer, ed. Paul Liam Harrison, Emile Shemilt, Arthur Watson.
 Dundee: University of Dundee: 2014.

Conferences and Symposia papers
(updated August 2021)


  • ‘Making the Crystalline Studio: the oscillating spaces of oHPo Radio’ (with Becky Shaw), at Transforming Learning Conference, Sheffield Hallam University, September 2021.


  • ‘Performing Screenwriting as Art Practice: where and how does the film reside?’, at the 12th Screenwriting Research Network International Conference—Screen Narratives: Order and Chaos, Universidade Católica Portuguesa, Portugal, September 2019
  • ‘Considering the Movement (of the writing of the space)’, at Gestures (the movement between)experimental writing conference, University of Manchester, 2018
  • As guest speaker: ‘I wrote you a letter’, at Taking Ideas for a Walk: The Essay Conference 2018, University of Dundee, June 2018
  • ‘[Eye the] Bad Translator: Tongue is an Action, a Gesture, a Tone’, at Critical Reinventions, University of East Anglia, 2018
  • ‘The Iris Opens/The Iris Closes: Le Silence, third iteration’, at Looking Forward to Think Back, A Feminist Space in Leeds, University of Leeds, 2017
  • ‘Le Silence: Auto-fiction, Art Practice, and the Expanded Screenplay’, at the 10th Screenwriting Research Network International Conference—Fact and Fiction, Truth and the Real, University of Otago, New Zealand, 2017
  • ‘If the self is the body pierced by language, what is silence? Le silence: second iteration’, at Alternatives, Selves, Ruptures and Limits, Leeds Beckett University, 2017
  • ‘The Iris Opens/The Iris Closes’, at Future Imperfect, Plymouth University, 2017
  • As guest speaker: ‘Socialites and Space Invaders’, at Digital Re-enchantment: Place, Writing & Technology, Manchester Metropolitan University, 2016
  • ‘Art writing as moving image: exploring the film frame as page’, at the National Association of Fine Art Education ‘Research Practice Practice Research’ Symposium, The University of Cumbria Institute of the Arts, 2016
  • ‘Talking to Myselves: voice manipulation as methodology of affect’, at Moving Performances, St Aldgates College, University of Oxford, 2016
  • ‘Conceptualising the Haptic: the artist’s book in the expanded field’, at Livres d’artistes: the artist’s book in theory and practice, University of Cardiff, 2015
  • ‘The Truths Of Fictions: Post-Traumatic Landscapes, Civic Erasure And The Projects Of Artistic Resistance’, at Unofficial Histories, University of Huddersfield, 2014
  • ‘Fields Of Knowledge: Berger, The Outdoors, And The Possibilities Of Experiential Practice’, at Thinking With John Berger, Cardiff Metropolitan University, 2014
  • ‘What Is A Book If It Will Not Be A Book?’, at Impact8 International Print Conference, University of Dundee, 2013
  • ‘Every Place A Palimpsest’, at the Occursus Post-Traumatic Landscapes Symposium, Sheffield, 2013.

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