Publications / Papers / Texts

Recent and Forthcoming Publications
(updated 4th July 2017)

  • Manus, in E.R.O.S Journal, ed. Rebecca Jagoe and Sharon Kivland (forthcoming, autumn 2017)
  • Violet, in The Dreamers, ed. Sharon Kivland, France: Ma Bibliotêque, 2017
  • MilkyWayYouWillHearMeCall: Becoming, with Judit Bodor and Tom Rodgers, Sheffield: Gordian Projects, 2017
  • Writing imaginary footnotes for Maria Fusco’s Legend of the Necessary Dreamer, in Minor Literature[s], 2017 https://minorliteratures.com/2017/03/10/writing-imaginary-footnotes-for-maria-fuscos-legend-of-the-necessary-dreamer-emma-bolland/
  • Over, In, and Under (paragraphs 9 and 10), in Existentialism (CD / book), ed. The Mekons, Portland, OR: Sin Publications with Verse Chorus Press, 2016
  • Flashback, and the Treatment of the Dream, in testing Testing (dialogue), ed. Michael Day and Jo Ray, Sheffield: Sheffield Hallam University, 2016
  • Thoughts on Interiors, in Testing Testing (prologue), ed. Michael Day and Jo Ray, Sheffield: Sheffield Hallam University, 2016
  • Instructions From Light, in The Editions III, ed. Sharon Kivland, France: Ma Bibliotêque, 2016
  • Category Error / Category Terror, in The Blue Notebook: University of the West of England Journal for Artists’ Books, ed. Sarah Bodman, Volume 11, Issue 1, 2016
  • Over in and Under, after Über Dekkerinnerungen (with accompanying sound work), in 3am Magazine, http://www.3ammagazine.com/3am/over-in-and-under-after-uber-dekkerinnerungen/,  2015
  • Lectolalia (monograph), Sheffield, Gordian Projects, 2015
  • Dog Star: dreaming transmissions from a Cosmonaut Bitch, in Micromegas Vagabond Flux, ed. Tracy Mackenna and Edwin Jannsen, Dundee: The University of Dundee, 2015
  • Every Place a Palimpsest: Creative Practice, Emotional Archaeology, and the Post-Traumatic Landscape, in the Association of American Geographers journal GeoHumanities: Space, Place, and the Humanities, ed. Tim Creswell and Deborah Dixon, Volume 1, Issue 1, 2015
  • What is a Book if it will not be a Book? (abstract), in Impact8: Borders and Crossings: The Artist as Explorer, ed. Paul Liam Harrison, Emile Shemilt, Arthur Watson.
 Dundee: University of Dundee: 2014.

Recent Conferences and Symposia: Papers, and Performed Papers
(updated 4th July 2017)

Forthcoming

  • Le Silence: Auto-fiction, Art Practice, and the Expanded Screenplay (performed paper) at the International Screenwriting Research Network Conference: Fact and Fiction, Truth and the Real, University of Otago, New Zealand (August 2017)

Past

  • If the self is the body pierced by language, what is silence? Le silence: second iteration, (performed paper) at Alternatives, Selves, Ruptures and Limits, Leeds Beckett University, 2017
  • The Iris Opens/The Iris Closes (performed paper), at Future Imperfect, Plymouth University, 2017
  • Socialites and Space Invaders, at Digital Re-enchantment: Place, Writing & Technology, Manchester Metropolitan University, 2016
  • Art writing as moving image: exploring the film frame as page, at the National Association of Fine Art Education ‘Research Practice Practice Research’ Symposium, The University of Cumbria Institute of the Arts, 2016
  • Talking to Myselves: voice manipulation as methodology of affect (performed paper), at Moving Performances, St Aldgates College, University of Oxford, 2016
  • Conceptualising the Haptic: the artist’s book in the expanded field, at Livres d’artistes: the artist’s book in theory and practice, University of Cardiff, 2016
  • The Truths Of Fictions: Post-Traumatic Landscapes, Civic Erasure And The Projects Of Artistic Resistance, at Unofficial Histories, University of Huddersfield, 2014
  • Fields Of Knowledge: Berger, The Outdoors, And The Possibilities Of Experiential Practice, at Thinking With John Berger, Cardiff Metropolitan University, 2014
  • What Is A Book If It Will Not Be A Book? (performed paper), at the Impact8 International Print Conference, University of Dundee, 2013
  • Every Place A Palimpsest, at the Occursus Post-Traumatic Landscapes Symposium, Sheffield, 2013.

 

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