Biography / CV / Contact Me

I am an artist, writer, and harridan based in the UK. I write stuff, do stuff, and make stuff. I interrogate expanded screenplay as a site for auto-fictive practice, and the non-linear relations between trauma, memory, and language. I am an associate lecturer at Sheffield Hallam University; and a co-editor at Gordian Projects, a small press operating at the intersection of artist’s book, art writing, and archive.

For publications, papers and symposia, (some which double up as performances, but which I decided to put with conferences, rather than on this page) et cetera, click here

See below for exhibitions, performances, teaching et cetera (updated December 2017).

Contact me to request to see a digital portfolio

‘gis a job…



Recent Exhibitions and Performances

  • An ERRANT, or Improper Form, a collaborative durational writing and film editing  ‘fansubbing’ performance with Rachel Smith, as part of Smith’s residency Interrupteur at the University of Sheffield, 2018
  • Intimité/Intimacy (performance reading with Sharon Kivland), part of Camerades at Bank Street Arts, Sheffield, 2017
  • Violet (performance reading), part of The Dreamers at Pages International Artist Book Fair, The Tetley, Leeds, 2017
  • INT/EXT (solo exhibition), Wild Pansy Project Space, University of Leeds, 2016
  • Testing Testing (exhibition), SIA Gallery, Sheffield, 2016
  • Micromegas Vagabond Flux (exhibition), Project Space Plus, University of Lincoln, 2016
  • Preparation for the Novel: The Editions (exhibition), Pages International Artist Book Fair, The Tetley, Leeds, 2016
  • Lectolalia #2 (Speak Read) (solo exhibition), Bank Street Arts, 2015
  • Lectolalia (performance reading) at Small Publishers, Conway Hall, London
  • Lectolalia (film screening and performance reading), part of the Leeds College of Art and Design Library Interventions, 2015
  • Lorem Ipsum (exhibition), Pages International Artist Book Fair, The Tetley, Leeds, 2015
  • Micromegas Vagabond Flux (exhibition), Université de Lille 3, Lille, France, 2015
  • The Is of the Thing (lectophobia mix) (film screening and performance reading) at the Artists’ Book Market, Baltic, Gateshead, 2015
  • The Is of the Thing (performance and film screening), part of Unsettled By And Open To: Shady Dealings with Language, Matts Gallery, London, 2014
  • MilkyWayYouWillHearMeCall (collaborative exhibition with Judit Bodor and Tom Rodgers), Wild Pansy Project Space, University of Leeds, 2012


I have work in collections at the V&A Museum Art Library (London), The Saison Poetry Library Collection at the Royal Festival Hall (London), the Tate Britain Library and Archive (London), and the Centre de Livres d’Artistes (Saint-Yrieix-la-Perche, France).

Recent Teaching Experience


  • 2015–2017 (current): Specialist Visiting Lecturer, Sheffield Hallam University. MFA ‘Writing Art’ Module.
  • 2014: Visiting Lecturer, Duncan of Jordanstone College of Art and Design. MFA Art, Society and Publics.


  • 2017 (current): Associate Lecturer, Sheffield Hallam University, BA Fine Art.
  • 2009–2010: Teaching Assistant (printmaking), Huddersfield University (University College Barnsley campus), BA Art and Design.
  • 2006: Visiting Lecturer, Leeds Metropolitan University (now Beckett), BA Fine Art.
  • 2005: Associate Lecturer, Leeds College of Art and Design, BA Interdisciplinary Art and Design, ‘Professional Practice’ and ‘Collaborative Strategies’ modules.
  • 2004: Visiting Lecturer, University of Wolverhampton.
  • 2002–2004, Associate Lecturer, Huddersfield University, Lecturer in Visual Culture for BA Interactive Arts (teaching contextual studies) and BA Interactive Computer Design (Visual Culture module)
  • 1991–1993, Bradford College of Art and Design, Lecturer in Theoretical Studies, BA Art and Design.
  • I have also been a visiting speaker at several institutions, including the Université de Lille 3 (France), the University of Leeds, and Lancaster University.

Professional Practice / Mentoring / Other

I have delivered professional practice and mentoring schemes for emerging artists for a number of organisations, including Inkwell Arts, East Street Arts, The Art House UK; and I conceived and co-ran the Place and Memory project, a supported, Arts Council and NHS funded ‘alternative art school’ project for artists and writers who had struggled to access formal education. I have also delivered arts programmes in a range of mental health settings, from community to secure forensic environments.



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